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Design for a Plate with Arion Riding a Dolphin in a Medallion Bordered by Sea Monsters by Adriaen Collaert.

Adriaen Collaert

Design for a Plate with Arion Riding a Dolphin in a Medallion Bordered by Sea Monsters

ca. 1600 · Object 17.80.2(1)

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About Design for a Plate with Arion Riding a Dolphin in a Medallion Bordered by Sea Monsters

The artist and artwork

Adriaen Collaert engraved this Design for a Plate with Arion Riding a Dolphin around 1600, with Philips Galle as publisher. The small Netherlandish sheet proposes a circular ornamental plate rather than documenting a finished vessel. At its center, the nude musician Arion sits astride a dolphin and plays a lyre on a choppy sea. Tightly controlled lines distinguish skin, scales, shell, waves, and the dark field outside the imagined dish.

The world around it

The design came from Antwerp's late-Renaissance print and craft economy, where an engraver, publisher, and eventual artisan could each occupy a different role. The Met explains that printed ornament frequently supplied patterns to makers working for merchant customers; paper let a design travel across workshops and materials. Collaert and Galle used a classical story already popular in Netherlandish printmaking. Arion was a legendary Greek poet and singer robbed by sailors while returning to Corinth. Allowed a final song before entering the sea, his music attracted dolphins that rescued him, probably through Apollo, god of music and poetry. The myth made artistic skill itself a lifesaving force.

A detail to notice

Plate 1 begins four sea-myth designs, and music organizes its ornament. Arion plays while his dolphin surges forward. Putti and human-fish hybrids blow horns, play another stringed instrument, and tumble among turtles, shells, fish, and invented creatures. At lower right, one monster combines a fish's body, bulging eye, and snarling mammalian mouth; a winged fish crosses the top. The circular current turns dangerous water into a performance. A repeating rim suggests a decorated plate, but the top margin names the paper object's makers: `Adria. Collaert fecit` and `Phls Galle excudit` separate Collaert's work from Galle's publication. The Met does not identify a completed vessel made from the design. The print carries the idea it celebrates: an image, like Arion's song, able to travel because another agent bears it onward.

Look closer: materials, scale, and subjects

The recorded object is print ornament & architecture made in Engraving and held in the Drawings and Prints department.

Recorded dimensions include Sheet: 6 9/16 × 6 1/2 in. (16.7 × 16.5 cm).

Subject terms include Musical Instruments, Male Nudes, Monsters, Dolphins, and Turtles. Treat them as guideposts, not a complete interpretation.

Collection history and public-domain source

The collection credit line is Rogers Fund, 1917.

The individual artwork page and official image were verified as Public Domain on 2026-08-23.

No Context Gallery independently uses the public-domain image. The source museum has not endorsed, sponsored, or affiliated itself with these products.

Research sources

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    Bella + Canvas 3001 T-shirt · Natural

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    Natural cotton canvas tote bag

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    Natural 15 × 16 in tote

    Artwork printed on the front of a natural cotton canvas tote. The back is blank.

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