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Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso) by Giorgio di Giovanni ("Giorgio da Siena").

Giorgio di Giovanni ("Giorgio da Siena")

Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso)

1530–40 · Object 2001.451a, b

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About Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso)

The artist and artwork

Giorgio di Giovanni, known as Giorgio da Siena, filled this 1530–40 sheet with studies rather than one scene. Pen and two shades of brown ink, watercolor, and preliminary leadpoint or black chalk move among flowers, insects, birds, cats, interlace, and Greek frets; the back carries figure studies in lighter ink. The Met identifies a surviving page from a sketchbook or model book. Its motifs could be observed, refined, and reused when Giorgio planned painted decoration.

The world around it

The sheet belongs to a Renaissance moment when Italian artists were adapting ornament rediscovered in ancient Roman interiors for contemporary villas and palaces. Raphael and his workshop had made antique-inspired grotesques especially influential through projects such as the Villa Madama. In Siena, Giorgio became a leading practitioner of naturalistic, antique-style ornamental painting. The Met relates these studies generally to his 1530–40 fresco cycle at the Villa Belcaro near Siena, so the page links close study of living things with a larger decorative world of painted rooms.

A detail to notice

A death’s-head hawkmoth commands the lower center, its striped body, patterned wings, and skull-like marking rendered in brown, black, and gold with what The Met calls nearly scientific precision. Yet the moth was intended as decoration. That tension runs across the page: a purple gentian and colored birds receive watercolor, while two cats appear through quick pen studies, a small profile head, broad frontal face, and seated body. A strutting fowl, second insect, interlaced band, and repeated meanders occupy the gaps. Nothing shares one scale or setting. Finished color and searching line reveal an artist assembling a portable vocabulary from observation and antique pattern.

Look closer: materials, scale, and subjects

The recorded object is drawing made in Pen and two colors of brown ink, brush and watercolor over leadpoint or black chalk (recto); pen and light brown ink over leadpoint or black chalk (verso) and held in the Drawings and Prints department.

Recorded dimensions include 7 3/16 x 10 7/16 in. (18.2 x 26.5 cm).

Subject terms include Birds, Cats, Insects, and Flowers. Treat them as guideposts, not a complete interpretation.

Collection history and public-domain source

The collection credit line is Purchase, Gift from the family of Howard J. Barnet, in his memory, 2001.

The individual artwork page and official image were verified as Public Domain on 2026-08-23.

No Context Gallery independently uses the public-domain image. The source museum has not endorsed, sponsored, or affiliated itself with these products.

Research sources

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