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Still Life with Flowers, a Snail and Insects by Joris Hoefnagel.

Joris Hoefnagel

Still Life with Flowers, a Snail and Insects

1589 · Object 2008.110

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About Still Life with Flowers, a Snail and Insects

The artist and artwork

Joris Hoefnagel made Still Life with Flowers, a Snail and Insects in 1589 with watercolor, gouache, and shell gold on vellum. Born in Antwerp, he became celebrated for accurate studies of nature despite receiving no formal artistic education. He produced this tiny sheet, about four and five-eighths by three and eleven-sixteenths inches, while working in Munich, where miniature painting earned him a ducal court position. Its precision made close observation an independent subject.

The world around it

Late-sixteenth-century courts brought art, natural inquiry, and collecting together. Princes assembled Kunstkammers containing drawings, scientific instruments, natural specimens, and precious objects as microcosms of knowledge. Rudolf II returned the imperial court to Prague in 1583 and made it a center for artists and scientists; Hoefnagel later entered that world. The Met identifies this sheet as one of the earliest independent still lifes by a Netherlandish artist. Its model-sheet clarity and emblematic learning anticipated seventeenth-century Dutch still life.

A detail to notice

The symmetrical image is not one bouquet observed at one moment. Flowers change scale because Hoefnagel combined separate studies and reused motifs. A huge red rose rises above a handled vase; blue blossoms, buds, leaves, a yellow rose, caterpillar, snail, moth, dragonfly, and insects surround it. Two pale butterflies occupy the bottom corners. Met research found that they are partly real specimens: surviving wings were adhered to the vellum, while Hoefnagel painted their bodies, legs, and club-ended antennae and reinforced vein impressions with a stylus. Illusion and physical nature share one surface. The Latin inscription gives the sheet an intimate purpose: Hoefnagel dedicated it to his mother as a monument of love. A seeming scientific collection is also a family gift, preserving affection through fleeting natural forms.

Look closer: materials, scale, and subjects

The recorded object is drawing made in Watercolor, gouache, and shell gold on vellum and held in the Drawings and Prints department.

Recorded dimensions include Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm).

Subject terms include Insects, Butterflies, Snails, Flowers, and Still Life. Treat them as guideposts, not a complete interpretation.

Collection history and public-domain source

The collection credit line is Purchase, Charles and Jessie Price, Jean A. Bonna, and Annette de la Renta Gifts, and The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2008.

The individual artwork page and official image were verified as Public Domain on 2026-08-24.

No Context Gallery independently uses the public-domain image. The source museum has not endorsed, sponsored, or affiliated itself with these products.

Research sources

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    Natural canvas tote

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    Natural 15 × 16 in tote

    Artwork printed on the front of a natural cotton canvas tote. The back is blank.

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